|July 27, 2012|
|12:00 am||to||11:00 pm|
|July 28, 2012|
|9:00 pm||to||11:00 pm|
First edition of Piazza in Opera 2012 organized by CALT Comitato Amici della Lirica Trappeto (Friends of Lirics Committee of Trappeto).
The project – self-funded and sponsored by the town of Trappeto – features an extraordinary cast: Annie Sophie Duprels, Aldo Di Toro, Christine Buffle, Marcin Bronikowski, Fédéric Bourreau, Quirijn de Lang and Eric Roberts.
Rosalba Lo Duca, art director and Italian language coach in Europe’s most prestigious theaters, founded the organization in 2011 with the purpose of promoting and supporting the opera music culture in Sicily.
“Opera is our most famous made-in-Italy product in the world”, says Rosalba Lo Duca, “Melodrama in our project becomes pole of attraction for tourism and culture. Our idea is to lead people towards opera not through traditional channels as theaters, but in the town square, the piazza which in Sicily is the town’s social meeting place.”
This no-profit project has been self-funded through different initiatives held during the year by the people in Trappeto.
For information and ticket reservation
Trappeto (prov. of Palermo), July 27 and 28, 2012 - 9:00 pm
Piazza Umberto I
How to get there
From Palermo: A29 Expressway direction Trapani, exit Partinico, right turn SS 113, left turn SS 187, exit Trappeto.
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi (1830), La sonnambula (1831), Norma (1831), Beatrice di Tenda (1833), and I puritani (1835). Known for his long-flowing melodic lines, for which he was named “the Swan of Catania,” Bellini was the quintessential composer of bel canto opera.
Born in Catania, Sicily, Bellini was a child prodigy from a highly musical family and legend has it he could sing an aria of Valentino Fioravanti at eighteen months. He began studying music theory at two, the piano at three, and by the age of five could apparently play well. Bellini’s first five pieces were composed when he was just six years old. Regardless of the veracity of these claims, it is certain that Bellini grew up in a musical household and that a career as a musician was never in doubt.
Having learned from his grandfather, Bellini left provincial Catania in June 1819 to study at the conservatory in Naples, with a stipend from the municipal government of Catania. By 1822 he was in the class of the director Nicolò Zingarelli, studying the masters of the Neapolitan school and the orchestral works of Haydn and Mozart. It was the custom at the Conservatory to introduce a promising student to the public with a dramatic work: the result was Bellini’s first opera Adelson e Salvini an opera semiseria that was presented at the Conservatory’s theater. Bellini’s next opera, Bianca e Gernando, met with some success at the Teatro San Carlo, leading to a commission from the impresario Barbaia for an opera at La Scala. Il pirata was a resounding immediate success and began Bellini’s faithful and fruitful collaboration with the librettist and poet Felice Romani, and cemented his friendship with his favored tenor Giovanni Battista Rubini, who had sung in Bianca e Gernando.
Bellini spent the next years, 1827–33 in Milan, where all doors were open to him. Sparking controversy in the press for its new style and its restless harmonic shifts into remote keys, La straniera (1828) was even more successful than Il pirata, and allowed Bellini to support himself solely by his opera commissions. The composer showed the taste for social life and the dandyism that Heinrich Heine emphasized in his literary portrait of Bellini (Florentinische Nächte, 1837). Opening a new theatre in Parma, his Zaira (1829) was a failure at the Teatro Ducale, but Venice welcomed I Capuleti e i Montecchi, which was based on the same Italian source as Shakespeare’s Romeo and Juliet.
The next five years were triumphant, with major successes with his greatest works, La sonnambula, Norma and I puritani, cut short by Bellini’s premature death.
Bellini died in Puteaux, near Paris of acute inflammation of the intestine, and was buried in the cemetery of Père Lachaise, Paris; his remains were removed to the cathedral of Catania in 1876. The Museo Belliniano housed in the Gravina Cruyllas Palace, in Catania, preserves memorabilia and scores.
Note: This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article “Metasyntactic variable” and Creative Commons by Commons Deed. This information was accurate when it was posted, but can change without notice.